邵阳的迷人与碰撞传统
邵 杨的2025年秋冬系列在纽约时装周期间展示。SHAO不仅仅是对历史的致敬。它是一个精心制作的文化融合叙事，为现代观众重新诠释。背景设在红珍珠之家的亲密奢华中，位于Jean-Georges的Tin Building。展示将观众带入了1930年代上海的鼎盛时期。“东方巴黎”和“西方纽约”。那是一个充满可能性的城市，一个全球交汇点，传统与叛逆相遇，礼仪与奢华碰撞。
文化融合的电光火石
在杨的手中，这个时代成为了一个充满现代感、奢华和魅力的系列的基石。“1930年代上海的文化融合的电力是我想要庆祝并为今天重新诠释的东西。”杨在秀前说道。“那是一个紧张和变革的时代，传统与未知相遇。那种能量与我们现在的时刻共鸣。”
对常规的挑战
2025年秋冬系列展示了23款精心制作的造型，庆祝了上海的双重性。它既拥抱优雅，又挑战传统。以羊毛、皮革和牛仔布等丰富材料为基础。设计闪耀着紫水晶、蓝宝石、黄水晶和粉色碧玺的宝石色调。杨的标志性重新设计的旗袍扣和萨维尔街风格的剪裁。再加上对纽约街头风格的致敬，使每一件作品都成为文化对话。“无论是受旗袍还是银行家的三件套西装启发。设计旨在在纽约的水泥丛林中茁壮成长。”杨解释道。
庆祝流动性和自我表达
这个系列平衡了卓越的工艺和城市边缘风格，将老上海的精致与当代纽约的粗犷完美结合。男装和女装打破传统习俗，庆祝流动性和自我表达。阳的裁剪——这个系列的亮点——有意模糊界限，将服装从传统约束中解放出来。夹克流露出轻松感，紧身胸衣唤起旗袍设计的结构，而oversized的轮廓则向那个时代的魅力致敬。
红珍珠
模特们在红珍珠之家的餐厅里漫步，场地华丽的宝石色调内饰为系列的鲜艳调色板提供了完美的背景。这不仅仅是一场时装秀——而是一场体验。宾客们被邀请近距离探索服装，追踪精致的刺绣，惊叹于精确的明线缝纫。活动的感官丰富度通过受20世纪30年代上海奢华启发的特色鸡尾酒和开胃小菜得到提升，营造出既怀旧又奢华的氛围。
DataVault
通过与DataVault的合作，SHAO更进一步地将尖端全息技术融入展示中。亮点包括一位令人心醉神迷的全息客厅歌手，放大刺绣和褶皱细节的投影显示，以及由DataVault的ADIO®技术驱动的互动功能。结果是一场无缝融合传统工艺与未来艺术的多感官盛宴，强化了阳在连接过去和现在方面的能力。
这个系列代表了邵阳品牌的持续演变。以她在紧身胸衣、视觉错觉效果和建筑式轮廓方面的精湛技艺而闻名，这些技能是通过她在定制西装工作室The Tailory十年的工作中磨练而成的。阳一直在构建一种平衡精确与创新的设计语言。这种语言在本季感觉特别有共鸣。紧身胸衣在受旗袍启发的结构中找到了新生。传统中国服装图案影响了她的明线缝纫。邵的2025秋冬系列是为城市奢华客户设计的，这些客户欣赏带有故事的精致。展示的独特性，全部采用亚裔美国人模特阵容，强调了其对代表性和文化自豪感的承诺，而其创新元素则将邵定位为融合传统与现代的领导者。
阳不仅呈现了一个系列，更是一场体验。一场对身份、转变和可能性的庆祝。从每件服装的精细构造到展示的技术艺术，SHAO的2025秋冬系列是视觉和执行的胜利。当模特们进行最后一次走秀时，观众留下了一个独特的印象：SHAO不仅仅在设计服装——她正在打造一个连接世界的传奇。
Patrick Michael Hughes 高级时尚编辑 男装时尚作家
摄影：PMH和Happy Monday
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Patrick Michael Hughes is a fashion and decorative arts historian. He writes about fashion culture past and present making connections to New York, London and Copenhagen's fashion weeks with an eye toward men's fashion. He joined IRK Magazine as a fashion men's editor during winter of 2017.
He is often cited as a historical source for numerous pieces appearing in the Wall Street Journal, The New York Times, CNN, LVMH, Conde Nast, Highsnobiety and others. His fashion career includes years as a fashion reporter/producer of branded content for the New York local news in the hyper digital sector. Patrick's love of travel and terrain enabled him to becoming an experienced cross-country equestrian intensively riding in a number of locations in South America Scandinavia,The United Kingdom and Germany. However, he is not currently riding, but rather speaking internationally to designers, product development teams, marketing teams and ascending designers in the US, Europe and China.
Following his BA in the History of Art from Manhattanville College in Purchase, New York he later completed graduate studios in exhibition design in New York. it was with the nudge and a conversation in regard to a design assignment interviewing Richard Martin curator of the Costume Institute at the Metropolitan Museum of Art he was encouraged to consider shifting his focus to the decorative arts with a concentration in fashion history and curation.
Patrick completed graduate studies 17th and 18th century French Royal interiors and decoration and 18th century French fashion culture at Musée Les Arts Decoratifs-Musée de Louvre in Paris. Upon his return to New York along with other classes and independent studies in American fashion he earned his MA in the History of Decorative Arts and Design from the Parsons/Cooper Hewitt Design Museum program in New York. His final specialist focus was in 19th century English fashion and interiors with distinction in 20th century American fashion history and design.
Currently, he is an Associate Teaching Professor at Parsons School of Design leading fashion history lecture-studios within the School of Art and Design History and Theory,
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