Rock and Roll Vixens take Center Stage at Michael Costello
Michael Costello’s SS 2017 Collection combines the romance of Stevie Nicks with the fire of Courtney Love by personifying the rock and roll lady in lace. This season’s palette of black, white and richly-toned greys, comes to life through Costello’s choice of silhouettes and use of materials. Floor-length gowns formed by hourglass cutouts and delicate layers of sheer floral lace reference the lines of a bustier and garters as they conceal, reveal and celebrate the female form. Embellished jumpsuits and bellbottom pants are paired with flowing capes and fringe for miles that capture every movement. The elongation of the body is achieved through broad square shoulders, oversized tiered ruffle sleeves and plunging necklines that lead the eye to a narrow waist, tightly cinch with embellished belts.
Each garment is a performance, as they float down the runway with Costello’s choice of silks, satins and accents that reflect every facet of rhythm and light. In a collection where each piece appears 10-feet tall, Michael Costello invites the next modern vixen to take her place on the stage.
“Front row at Michael Costello’s 2017 Collection photographed by Art Editor Stacy Seiler. Flowing lace gowns, over-szed tiered ruffle sleeves, embellished jumpsuits and exaggerated proportions appear larger than life in this Stevie Nicks meets Courtney Love homage to the rock and roll vixen.”
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Stacy Seiler is the Art Editor of Irk Magazine, joining the publication in August 2016. An accomplished artist, designer, writer and Assistant Professor at Parsons School for Design, Stacy has been a pioneer in the design industry since 1997. She began her career as a web designer and programmer focused on the corporate identity and branding of Fortune 500 companies including: FOX, News Corporation, AIG and McGraw-Hill.
For the past 11 years, Stacy has lectured on topics of Design Iteration, Typography, Information Visualization, Fashion and Fine Art at the esteemed Parsons School of Design, while balancing her time as a Contributing Writer of Arts and Culture at Downtown Magazine and a Docent of History and Preservation at Judd Foundation in New York City.
Through her research and drawings, Stacy’s art practice focuses on preserving the cultural past of New York City and beyond by exploring current issues of neglect and decay surrounding industrial architecture and its iconic connection to working-class communities. She has exhibited both nationally and internationally over the past 15 years.
Stacy graduated from the Maryland Institute College of Art, with a BFA in Fine Arts and a Minor in Art History. She received her MFA in Fine Arts from Parsons. Her work can be found on stacyseiler.com along with her daily musings on Instagram
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