KidSuper Paris Tornado F/W2025
El diseñador de KidSuper, Colm Dillane , aportó una perspectiva inventiva y fundamentada a la Semana de la Moda Masculina de París. Su espectáculo, escenificado en una sala del siglo XIX en La Villette, presentaba una escultura cinética del artista de Brooklyn Daniel Wurtzel. El tornado arremolinado de plumas, pétalos y papel ancló la colección, «De un lugar en el que nunca he estado». Inspirada en el viaje de Dillane a Tiflis, Georgia, la colección exploró un territorio creativo inexplorado.
KidLa sastrería súper divertida se une a la ropa de calle
Dillane superó los límites sin dejar de ser fiel a las raíces artísticas de KidSuper. La línea contó con colaboraciones con BAPE y WILDSIDE de Yohji Yamamoto, mezclando la ropa de calle con la sastrería de maneras inesperadas. Los trajes de patchwork y los estampados atrevidos destacaron, mientras que los plumeros en tonos tierra y las prendas desteñidas evocaron una estética nostálgica de ciencia ficción.
La ropa urbana gráfica característica de Dillane se mantuvo, pero evolucionó. Un trío de looks minimalistas completamente blancos marcaron un cambio hacia la simplicidad refinada. La colección equilibró el concepto con la facilidad de uso, mostrando el crecimiento de KidSuper sin perder su toque lúdico.
Un destacado en medio de la teatralidad
Esta temporada estuvo llena de espectáculo, desde temas del oeste americano hasta sombreros vintage de piloto y vaquero. Sin embargo, la capacidad de Dillane para fusionar la creatividad con la función lo distingue. KidSuper demostró que podía evolucionar sin perder su identidad, ofreciendo un espectáculo que era a la vez reflexivo y visualmente impactante.
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Patrick Michael Hughes is a fashion and decorative arts historian. He writes about fashion culture past and present making connections to New York, London and Copenhagen's fashion weeks with an eye toward men's fashion. He joined IRK Magazine as a fashion men's editor during winter of 2017.
He is often cited as a historical source for numerous pieces appearing in the Wall Street Journal, The New York Times, CNN, LVMH, Conde Nast, Highsnobiety and others. His fashion career includes years as a fashion reporter/producer of branded content for the New York local news in the hyper digital sector. Patrick's love of travel and terrain enabled him to becoming an experienced cross-country equestrian intensively riding in a number of locations in South America Scandinavia,The United Kingdom and Germany. However, he is not currently riding, but rather speaking internationally to designers, product development teams, marketing teams and ascending designers in the US, Europe and China.
Following his BA in the History of Art from Manhattanville College in Purchase, New York he later completed graduate studios in exhibition design in New York. it was with the nudge and a conversation in regard to a design assignment interviewing Richard Martin curator of the Costume Institute at the Metropolitan Museum of Art he was encouraged to consider shifting his focus to the decorative arts with a concentration in fashion history and curation.
Patrick completed graduate studies 17th and 18th century French Royal interiors and decoration and 18th century French fashion culture at Musée Les Arts Decoratifs-Musée de Louvre in Paris. Upon his return to New York along with other classes and independent studies in American fashion he earned his MA in the History of Decorative Arts and Design from the Parsons/Cooper Hewitt Design Museum program in New York. His final specialist focus was in 19th century English fashion and interiors with distinction in 20th century American fashion history and design.
Currently, he is an Associate Teaching Professor at Parsons School of Design leading fashion history lecture-studios within the School of Art and Design History and Theory,
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