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Edward Crutchley’s Greyscale Illuminations

EDWARD CRUTCHLEY showed his Fall 2023 on the first day of shows of London Fashion Week. Just as one would expect from CRUTCHLEY, it was a filled with artistically crafted textiles, a unique London savvy, informed references and an unapologetic selection of identity affirming styles.

CRUTCHLEY followers know that he is a bit of a fashion historian, who has looked to documented silhouettes and narratives for inspiration. Fall 2023 was informed by the early fifteenth century’s transition form medieval styles to the dawn of the Renaissance. It was a period when clothing moved form sectional, tied and pieced dress to constructed garments filled with swagger, national imprint and political alignment. CRUTCHLEY‘s primary source of inspiration was the comprehensive publication, The First Book of Fashion, an illustrated record of dress during the fifteenth century.

CRUTCHLEY presented is collection in a dark, dimly lit space and the models snaked through the attendees in multiple shades of grey, ivory and black. The textiles were striking and when seen one after the other, they were fully fashioned looks many of which were draped with nods to heraldry. CRUTCHLEY included in the collection large black and grey badges, characters reminiscent of the playful images seen in manuscript medieval illumination.

Flourishing textiles and construction were also part of the this collection, ivory stacked ruffle trousers in silk taffeta and bold graphic black and grey looks highlighted tailoring. As always with CRUTCHLEY ‘s work the silhouettes work on any modern gender expression. The fall 2023 knitwear is also noteworthy, volume mohair pieces wrapping and draping the body with deep ‘V’ necks.

Accessories included modern bucket hats and knit head-gear worthy of Jan Van Eyck advanced forward, for a modern urban pilgrim. EDWARD CRUTCHLEY is consistent and and always presents a mind provoking collection. This season the inclusion of a full on leather cod piece with a beautifully draped leather jacket communicated who was in the room and at the man of the moment, it’s sure to be a topic of discussion and all over social media. However, there so much more to this intelligent and timely collection. CRUTCHLEY is looking at eras of kings,

champions, workers documented in one of the earliest forms of fashion scholarship. Britain is in a cultural moment of transition, CRUTCHLEY selected an astute background narrative to be inspired by for this moment of a new direction. The EDWARD CRUTCHLEY Fall 2023 presented at LONDON FASHION WEEK was an excellent collection form a British artist.

Styling: Julian Ganio

Casting: Lucy Rogers

Production: Antony Waller

Press Release: Dal Chodha

Shoes: Roker

Jewellery and Head Pieces: Victoria Rickard and Gianluigi Zoccheddu

Movement Direction: Brieuc Breitenstein

Fragrance Design: Edward Lorenz

Hair: Richard Phillipart at Gary Represents sponsored by My Organics

Make-up: Michelle Cadillo sponsored by Glow Recipe and Trace Publicity

Nails: Marie Louise Coster at Nylon Artists using Jessica

Lighting Design and Videography: Hydra Design

Runway Photographer: Chris Yates

Backstage and Look-book Photography: Francisco Gomez de Villaboa

Graphic and Textile Design: James Bosely Studio

Character Design: Liklik

Embroidery: The London Embroidery Studio

Wovens Production: TRUK 1609

Crochet: Shannon Hyland

Studio Team: Karen Coughlan, Aaron DeVallier, Demetris Handjimichael, Ava Coffen, Aaron James Ford, Hilary Watts, Willow Prieto-Johnson, Lucas Chaillot, Oliver Julius Ross, Mitja Olenik.

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Patrick Michael Hughes is a fashion and decorative arts historian. He writes about fashion culture past and present making connections to New York, London and Copenhagen's fashion weeks with an eye toward men's fashion. He joined IRK Magazine as a fashion men's editor during winter of 2017.

He is often cited as a historical source for numerous pieces appearing in the Wall Street Journal, The New York Times, CNN, LVMH, Conde Nast, Highsnobiety and others. His fashion career includes years as a fashion reporter/producer of branded content for the New York local news in the hyper digital sector. Patrick's love of travel and terrain enabled him to becoming an experienced cross-country equestrian intensively riding in a number of locations in South America Scandinavia,The United Kingdom and Germany. However, he is not currently riding, but rather speaking internationally to designers, product development teams, marketing teams and ascending designers in the US, Europe and China.

Following his BA in the History of Art from Manhattanville College in Purchase, New York he later completed graduate studios in exhibition design in New York. it was with the nudge and a conversation in regard to a design assignment interviewing Richard Martin curator of the Costume Institute at the Metropolitan Museum of Art he was encouraged to consider shifting his focus to the decorative arts with a concentration in fashion history and curation.

Patrick completed graduate studies 17th and 18th century French Royal interiors and decoration and 18th century French fashion culture at Musée Les Arts Decoratifs-Musée de Louvre in Paris. Upon his return to New York along with other classes and independent studies in American fashion he earned his MA in the History of Decorative Arts and Design from the Parsons/Cooper Hewitt Design Museum program in New York. His final specialist focus was in 19th century English fashion and interiors with distinction in 20th century American fashion history and design.

Currently, he is an Associate Teaching Professor at Parsons School of Design leading fashion history lecture-studios within the School of Art and Design History and Theory,

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