0330b4_78d38fa683284c8d8861aad327094572~mv2

Ruslan Baginskiy: Men’s Hats form Ukraine

RUSLAN BAGINSKIY is a Ukrainian head wear and accessory designer based in in the city Lviv in western Ukraine just forty miles form the Polish boarder. Earlier this year he moved his atelier form the capital Kyiv located in the center of the country. BAGINSKIY began designing in Kyiv 2017. He was born in Lviv and began his career there as a university student. His success has been widely captured in street style photography by the followers of celebrity style such as Taylor Swift and other women dubbed the “RB Girls” The men’s market presence for the brand has been expanding in recent seasons.

War, a state of emergency and inescapable destruction are still raging in the fight for the liberation of Ukraine form Russian invasion. Once again fashion history affirms the British Blitz statement that ‘fashion is indestructible.’ Form follows power, style is resilient and fashion is always reflective of cultural situation and narrative.

Winter 2022/2023 collection is handcrafted, with silhouettes that are on familiar terms with wardrobes of all genders. BAGINSKIY’s ‘Baker Boy’ a silhouette which is a version of the working class late nineteenth century working class style is fashioned in large brown and off white Houndstooth and a military olive green wool, both highlighting the hand embroidered chain stitched RB logo, featuring embroidery is part of what makes these items Ukrainian .

Saint Sernin

Hats with military heritage such as the bucket hat silhouette worn by American troops during World War II as a form of camouflage are seen in tweed and Houndstooth. The beret originally worn by French Chasseurs Alpins (mountain infantry force), La Résistance of WWII to Latin guerrilla leader Che Guevara and the activist Black Panther Movement in America has a noteworthy presence in this winter’s offering in a variety of textures.

RUSLAN BAGINSKIY men’s hattery statement is to embrace style, however make sure it reflects the larger narrative of the moment far beyond trend. Men’s hats are not in a fashion moment of musing aloof mid-twentieth century corporate nostalgia nor hat-less Tweets about the joy of an endless digital day indoors. The look of men’s hattery is ready for moments of engagement in the street and says working man to common cause.

Cowboys and knightly styles are also part of the collection. BAGINSKIY’s version is a felted wool blocked cowboy hat in a Brutalist tones of off white contributes to color statements being made this winter. The knitted head wear is also instep with an overall theme, ‘watch caps’ and medical aid toned headbands underscoring form and function in even in shearling. The most interesting knit s the brand’s button on hood reminiscent of ancient defensive covering for the body worn under armor and helmets.

In Europe the war in Ukraine will have an impact on the forthcoming fashion emerging from the Central European markets such as Berlin and to the north in Copenhagen.

RUSLAN BAGINSKIY is a brand to pay attention to ‘RB Men’ is just getting started and it won’t be long before there is more than a trickling of apparel but one full of new hope and optimism .

Saint Sernin
Saint Sernin
Saint Sernin

Patrick Michael Hughes Senior Fashion Editor, Men’s Fashion Writer

Share this post

Patrick Michael Hughes is a fashion and decorative arts historian. He writes about fashion culture past and present making connections to New York, London and Copenhagen's fashion weeks with an eye toward men's fashion. He joined IRK Magazine as a fashion men's editor during winter of 2017.

He is often cited as a historical source for numerous pieces appearing in the Wall Street Journal, The New York Times, CNN, LVMH, Conde Nast, Highsnobiety and others. His fashion career includes years as a fashion reporter/producer of branded content for the New York local news in the hyper digital sector. Patrick's love of travel and terrain enabled him to becoming an experienced cross-country equestrian intensively riding in a number of locations in South America Scandinavia,The United Kingdom and Germany. However, he is not currently riding, but rather speaking internationally to designers, product development teams, marketing teams and ascending designers in the US, Europe and China.

Following his BA in the History of Art from Manhattanville College in Purchase, New York he later completed graduate studios in exhibition design in New York. it was with the nudge and a conversation in regard to a design assignment interviewing Richard Martin curator of the Costume Institute at the Metropolitan Museum of Art he was encouraged to consider shifting his focus to the decorative arts with a concentration in fashion history and curation.

Patrick completed graduate studies 17th and 18th century French Royal interiors and decoration and 18th century French fashion culture at Musée Les Arts Decoratifs-Musée de Louvre in Paris. Upon his return to New York along with other classes and independent studies in American fashion he earned his MA in the History of Decorative Arts and Design from the Parsons/Cooper Hewitt Design Museum program in New York. His final specialist focus was in 19th century English fashion and interiors with distinction in 20th century American fashion history and design.

Currently, he is an Associate Teaching Professor at Parsons School of Design leading fashion history lecture-studios within the School of Art and Design History and Theory,

Read Next